In this particular telling of the story, it is written by Luke.

Storytelling traditionally begins with a "Once upon a time..." opening.

How to Tell a Story and Other Essays - Wikipedia

Have fun and share the joy of story.In the end, it is most important that you should tell your story in your own words with sincerity and enthusiasm and....

Frank, The Wounded Storyteller,Chicago/London, The University of Chicago Press, p.

How to Tell a Story and Other Essays - The Full Wiki

This can be seen particularly in the use of the infancy narratives which tell the well-known Christmas story, in Catholic religious groups today – individual parishioners, churches and Catholic Education institutions.

Although each of the accounts tells of the flood, there are many variations to the story.

When I have been in church I was always told just that the basic "moral" of the story was be kind to your neighbors, and just by reading the book of John I decided there was no need to question it....

People with chronic illnessand disability do not fit this model and so can find it to tell a story which does  appear to have a happy ending.

"The Tell-Tale Heart" is an 1843 short story by ..

and then a storyteller’s silent pause to gather his thoughts. The traditional openings, of which there are many (often with responses from the audience), were "rituals" that served as a signal that the teller was suspending "time and space" as we know it and transporting the audience to a world of imagination and play.

Use the facts to tell the story.

Some stories only indirectly reflect the process of writing; other selections includeobvious metafictional devices. In certain sections of the book, entire chapters aredevoted to discussing form and technique. A good example is "Notes," whichelaborates on "Speaking of Courage, " the story that precedes it. The seriousreader of the real Tim O' Brien's fiction recognizes "Speaking of Courage" ashaving first been published in the Summer 1976 issue of Massachusetts Review.(3) Thisearlier version of the story plays off chapter 14 of Going After Cacciato, "UponAlmost Winning the Silver Star," in which the protagonist, Paul Berlin, is thinkingabout how he might have won the Silver Star for bravery in Vietnam had he had the courageto rescue Frenchie Tucker, a character shot while searching a tunnel. However, in TheThings They Carried's version of "Speaking of Courage," the protagonist is notPaul Berlin, but Norman Bowker, who wishes he had had the courage to save Kiowa, a soldierwho dies in a field of excrement during a mortar attack.(4) Such shifts in character andevents tempt the reader into textual participation, leading him to question the ambiguousnature of reality. Who really did not win the Silver Star for bravery? Paul Berlin, NormanBowker, or Tim O'Brien? Who actually needed saving? Frenchie Tucker or Kiowa? Whichversion of the story, if either, is accurate? The inclusion of a metafictional chapterpresenting the background behind the tale provides no definite answers or resolutions. Welearn that Norman Bowker, who eventually commits suicide, asks the narrator to compose thestory and that the author has revised the tale for inclusion in The Things They Carriedbecause a postwar story is more appropriate for the later book than for Going AfterCacciato. However, O'Brien's admission that much of the story is still invention compelsthe reader to wonder about the truth. The narrator assures us that the truth is that"Norman did not experience a failure of nerve that night . . . or lose the SilverStar for valor" (182). Can even this version be believed? Was there really a NormanBowker, or is he, too, only fictional?

'How to tell a true war story': Metafiction in 'The …

Asmore stories are told, each individual becomes empowered and the communityof storytellers becomes enriched by the diversity of the human capacity toadapt and develop.