Harold Bloom on the Merchant of Venice.

From the course description:

Harold Bloom on "The Merchant of Venice…

So as soon as new authors confront that imperative line on their Amazon pages — "Be the first to review this item" — the temptation is great for them to start soliciting notices, at first among those closest at hand: family, friends and acquaintances.

In addition to audio clips there are full text articles on classic and contemporary poets and poetry.

Bloom, Harold., The merchant of Venice / William ..

he issue of antisemitism was not one that at first plagued , but instead a single component that would only later become a problem for its admirers. At the turn of the seventeenth century, hatred of Jews was on the rise in England and mainland Europe. Rumors that Jews poisoned wells and slaughtered Christian babies to use their blood for fed into the conception of Judaism as a venomous, anti-Christian religion, and depictions of Jews such as Shylock on the London stage were not uncommon. The character type—a brilliant but evil Jew—was likely borrowed from Shakespeare’s contemporary, Christopher Marlowe, and his play, . Barabas, the play’s eponymous character, is a wealthy merchant who finds himself penniless when the Ottoman government strips him of all his assets. Throughout , Barabas seeks his revenge on Christians. By the end of the play he is responsible for the deaths of many citizens, including his own daughter, Abigail, who Barabas poisons for converting to Christianity.

Includes monthly features of contemporary poets, select articles from the Poets & Writers magazine, news, as well as grants and awards.

Lectures will provide background for the readings and explicate them where appropriate, while attempting to develop a coherent overall context that incorporates philosophical and social perspectives on the recurrent questions: what is literature, how is it produced, how can it be understood, and what is its purpose?"

A contemporary play written by Christopher Marlowe gave Shakespeare the inspiration for the character of Shylock....


Harold bloom essay merchant venice - Custom paper Academic S

n 1947, the actor and playwright Maurice Schwartz rather audaciously rewrote . The result, , is a radically philosemitic text, one that throws out most of Shakespeare’s play and replaces it with a kind, Jewish moneylender surrounded by antisemitic, unforgiving Christians. Comic villain had become comic hero. But only five years after 1942—a date that, like 70 CE (the fall of the Second Temple), will be forever seared into Jewish consciousness—this kind of project was not especially outrageous. Shakespeare is largely and rightly considered the greatest poet the English language has ever known, and yet, this sage dramatic personage produced an unquestionably antisemitic play.

William Shakespeare's the Merchant of Venice - …

John the Divine
The Song of Songs
Oedipus Rex
The Aeneid
The Duchess of Malfi
Antony and Cleopatra
As You Like It

Coriolanus
Hamlet
Henry IV, Part I
Henry IV, Part II
Henry V
Julius Caesar
King Lear
Macbeth
Measure for Measure
The Merchant of Venice

A Midsummer Night's
Dream Much Ado About Nothing
Othello
Richard II
Richard III
The Sonnets
Taming of the Shrew
The Tempest
Twelfth Night
The Winter's Tale

Emma
Mansfield Park
Pride and Prejudice
The Life of Samuel Johnson
Moll Flanders
Robinson Crusoe
Tom Jones
The Beggar's Opera
Gray's Elegy
Paradise Lost

The Rape of the Lock
Tristram Shandy
Gulliver's Travels
Evelina
The Marriage of Heaven and Hell
Songs of Innocence and Experience
Jane Eyre
Wuthering Heights
Don Juan
The Rime of the Ancient Mariner

Bleak House
David Copperfield
Hard Times
A Tale of Two Cities
Middlemarch
The Mill on the Floss
Jude the Obscure
The Mayor of Casterbridge
The Return of the Native
Tess of the D'Urbervilles

The Odes of Keats
Frankenstein
Vanity Fair
Barchester Towers
The Prelude
The Red Badge of Courage
The Scarlet Letter
The Ambassadors
Daisy Miller, The Turn of the Screw, and Other Tales
The Portrait of a Lady

Billy Budd, Benito Cereno, Bartleby the Scrivener, and Other Tales
Moby-Dick
The Tales of Poe
Walden
Adventures of Huckleberry Finn
The Life of Frederick Douglass
Heart of Darkness
Lord Jim
Nostromo
A Passage to India

Dubliners
A Portrait of the Artist as a Young Man
Ulysses
Kim
The Rainbow
Sons and Lovers
Women in Love
1984
Major Barbara
Man and Superman

Pygmalion
St.

William Shakespeare's the Merchant of Venice

Critic Harold Bloom, in notes, "Shakespeare teaches us how and what to perceive, and he also instructs us what to sense, and then experience as sensation."

In particular, and both offer many valuable teaching opportunities.