Compare And Contrast Two Poems Of Your Choice Essay

In this introduction I am intending to compare and contrast two poems.

Comparing Two Or More Poems for a Literature Essay | HubPages

"At this point Eton has:

For Thee, who mindful &c: as above.

If chance that e'er some pensive Spirit more,
By sympathetic Musings here delay'd,
With vain, tho' kind, Enquiry shall explore
Thy once-loved Haunt, this long-deserted Shade.
The first of these lines refers back to the second of the rejected stanzas (see n). These two repetitive stanzas, which G[ray]. was to compress into one, are close to T. Warton, Pleasures of Melancholy 17-21, where Contemplation is invoked as follows: 'O lead me, queen sublime, to solemn glooms / Congenial with my soul; to cheerless shades, / To ruin's seats, to twilight cells and bow'rs, / Where thoughtful melancholy loves to muse, / Her fav'rite midnight haunts.'"

Baugh et al (2006 p57 to p60) give 9 rules of haiku, which I shall use to compare the two poems.

Comparing Two Or More Poems for a Literature Essay

Something that should be mentioned here is a distinction between the writer’s and reader’s poetic experience. Clearly they are two separate events. In my above scenario as to how Totha Kaneko’s poem came about, I am of course assuming that this was an actual event that happened to him. While Kaneko is a poet who believes in experiential haiku, not all poets are so inclined. In fact, I suspect many gendai poems, like many Western ones, are wholly or at least partially made up for effect. That this is the case should have little bearing on the reader’s experience. After all, as far as classical or traditional haiku goes, the reader has no way of knowing if a poem is fictitious. They simply have to trust the material. And as long as an authentic idea or emotion is passed from writer to reader, we should consider a poem from that perspective successful.

In this essay I will compare and contrast a collection of different poems by Carol Anne Duffy, Robert Browning, Ben Johnson and Simon Armitage.

"Milton's words again: -

... ''though from off the boughs each morn
We brush mellifluous dews.'' - Par. Lost, v. 428, 429.

''Together both, ere the high lawns appeared
Under the opening eyelids of the morn,
We drove afield.'' - Lycidas, 25-27.
After this stanza there is the following in the Original MS.: -
Him have we seen the greenwood side along,
While o'er the heath we hied, our labours done,
Oft as the woodlark piped her farewell song,
With wistful eyes pursue the setting sun.
''I rather wonder that he rejected this stanza, as it not only has the same sort of Doric delicacy which charms us peculiarly in this part of the poem, but also completes the account of his whole day; whereas, this evening scene being omitted, we have only his morning walk, and his noon-tide repose.'' - Mason.
In a footnote the reviewer of Mason's edition of Gray's Poems, in the ''Gentleman's Magazine,'' June, 1775, says Gray plainly alludes to this stanza and this evening employment when in a subsequent he mentions not only the customed hill, etc., but also the heath."

In it, you will need to consecutively compare and contrast each of the similarities and differences in the given subjects:

Read Compare Two Poems by Wilfed Owen free essay and over ..

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