Black Music in the Harlem Renaissance - ABC-CLIO
Welcome to the first of the Fall 2011 Freelance Quiz Bowl University articles. This article provides a study guide for the writers of the Harlem Renaissance. As with all Freelance Quiz Bowl University study guides, these guides do not necessarily mean that these topics will be asked about at future NSCs. However, they’ve been deemed important by PACE members and learning these topics will certainly help any quiz bowl player in a wide variety of future quiz bowl tournaments.
Black Music in the Harlem Renaissance A Collection of Essays
The works here combine formal European classical structures with African-American styles, essentially jazz. Of the two song cycles, "Dream Variations" (settings of poetry by Langston Hughes) and "The Shadow of Dawn" (settings of poetry by Paul Laurence Dunbar) I preferred the latter, and felt the music perfectly captured the essence of the words, as if both flowed from the same hand. But my favorite works were the Six Preludes for Piano - so much so that I hit the back button and listened to the entire set again before moving on. The CD closes with an arrangement of "Wade in the Water" for jazz quartet.
Symphonic Brotherhood: The Music of African-American Composers. Albany Records, 1993. Order or listen at Bohuslav Martinu Philharmonic, Julius P. Williams, conductor. Everett McCorvey, Tenor. Biographical information and program notes enclosed. Adolphus Hailstork (b. 1941) " Symphony No. 1"; Henry (Harry) Thacker Burleigh (1866-1949) "The Young Warior"; Julius Penson Williams (b. 1954) "Is It True?"; Gary Powell Nash (b. 1964) "In Memoriam: Sojourner Truth"; David Nathaniel Baker (b. 1931) " Kosbro." This CD emphasizes the mainstream character of the compositions; as it says in the program notes, "The fact that these five composers...are of African descent will become clear only when viewing the photographs." And yet, some of the compositions incorporate very slight elements of jazz, gospel and spirituals. Interestingly, Burleigh's "Young Warrier" gained great popularity in Italy during WWI as a "patriot anthem."
The Harlem Renaissance Music 95449 TRENDIR
Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism.
Free harlem renaissance Essays and Papers - 123helpme
This is the second release in an outstanding three-CD series devoted to twentieth-century composers of African descent. Ulysses Kay's (1917-1995) orchestral suite"Theater Set" incorporates march-like rhythms and starts things off with a bang. "Lyric for Strings" by George Walker (b. 1922) is a tender work, a fitting memorial to his grandmother. With "Eight Miniatures for Small Orchestra" Roque Cordero (b. 1917) synthesizes the 12-tone technique with the folk music of his native Panama. Hale Smith's (b. 1925) symphonic poem "Ritual and Incantations" uses idealized African drumming to create a stunning piece full of mystery and sinister undercurrents. Adolphus Hailstork (b. 1941) contributes two pieces: the exhuberant, jazz influenced "An American Port of Call " and the moving, transcendent "Epitaph for a Man Who Dreamed," a memorial for Martin Luther King Jr. The program notes, written in an engaging style by Dominique-Rene de Lerma, provide a thorough introduction to the work of all five composers.
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Art Songs of Harry T. Burleigh. Centaur Records, 1995. Program notes and texts enclosed. Regina McConnell, soprano, Michael Cordovana, Piano.
Perhaps best remembered for his numerous and highly successful arrangements of the African American spiritual, Harry T. Burleigh (1866-1949) also composed more than 100 art songs, the first recognized black composer in the genre. As is evidenced in the selections on this CD, covering a range from 1904 to 1934, Burleigh's musical imagination seemed to be most often aroused by texts based on idealized romantic love. His art songs seldom show ethnic influences either in text or music, but you'll find African American poets in the pieces here: James Weldon Johnson and Langston Hughes, for example. If you enjoy romantic art song, you'll welcome this collection of 23 songs.
Harlem Renaissance This Essay Harlem ..
This is the first release in an emerging three-CD series devoted to twentieth-century composers of African descent; the works and performances on this CD are so rich and wonderful they make me eager to hear the next two! Offered are works by Samuel Coleridge-Taylor (1875-1912), Fela Sowande (1905-1987) and William Grant Still (1895-1978). Best known for his serious choral masterpiece, Hiawatha's Wedding Feast, Afro-British composer Coleridge-Taylor is represented by two works in a lighter vein, "Danse Negre" from African Suite (1898) and the balletic Petite Suite de Concert, Op 77 (1910). Nigerian Fela Sowande's African Suite from 1930 incorporates traditional Nigerian melodies and the influence of Ghanian composer Ephiraim Amu. William Grant Still's Symphony No. 1, "Afro-American," (1930) evolved from blues-based sketches he wrote during the Harlem Renaissance while arranging for jazz ensembles. Conducter Paul Freeman, who worked directly with Still on performances of this and other works, provides a sultry, swinging interpretation several minutes faster than competing CD versions. The program notes, written in an engaging style by Dominique-Rene de Lerma, provide a thorough introduction to the work of all three composers.