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Emily Bernard is a Professor of English and Critical Race and Ethnic Studies. Her first book, Remember Me to Harlem: The Letters of Langston Hughes and Carl Van Vechten (2001), was a New York Times Notable Book of the Year. Some of My Best Friends: Writers on Interracial Friendship (2004) was chosen by the New York Public Library as a Book for the Teen Age, 2006. Her essays have been published in several journals and anthologies, such as The American Scholar, Best American Essays, Best African American Essays, and Best of Creative Non-Fiction. Bernard has received fellowships from the Alphonse A. Fletcher Foundation, the Ford Foundation, the National Endowment for the Humanities, and the W.E.B. DuBois Institute at Harvard University. In 2008-9, Bernard was the James Weldon Johnson Senior Research Fellow in Arican American Studies at the Beinecke Library at Yale University. Michelle Obama: The First Lady in Photographs, a book she co-authored with Deborah Willis, was published by W.W. Norton in the fall of 2009. Another book, White Shadows: Carl Van Vechten and the Harlem Renaissance, was published by Yale University Press in 2010.

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Identity by Design: Tradition, Change, and Celebration in Native Women’s Dresses showcases the world-renowned collection of Native American dresses held by the Smithsonian’s National Museum of the American Indian. The book, edited by award-winning beadwork artist and NMAI curator Emil Her Many Horses (Oglala Lakota), presents a fascinating array of Native women’s clothing from the Plains, Plateau, and Great Basin regions of the United States and Canada, dating from the 1830s to the present. The beautiful creations included in this book reveal the artistic vision of many individual makers as well as different regional styles and tribal designs. These dresses, shawls, moccasins, and accessories reflect Native history and identity during a time of intense social and cultural change.

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Native Universe complements the themes of the museum's inaugural exhibitions and offers readers a new, deeper understanding of Native philosophies, histories, and identities. Published for the September 21, 2004, opening of the National Museum of the American Indian in Washington, D.C., the original hardcover edition features more than 300 color illustrations of Native artworks, from Inka to Iroquois, with poems by N. Scott Momaday, Louise Erdrich, Linda Hogan, and others; extensive essays on Native beliefs, history, and identity; and an excerpt from Sherman Alexie's Smoke Signals.

The best American essays 2004 / | Nashville Public Library

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Wesleyan abides by The Council of Literary Magazines and Presses (CLMP) Code of Ethics. The CLMP community of independent literary publishers believes that ethical submission and editorial guidelines for open reading periods and book contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethically-run open reading period or book contest. To that end, Wesleyan, its annual guest editors, and its series editors agree 1) to conduct our open reading period for Best American Experimental Writing as ethically as possible, and to address any unethical behavior on the part of Wesleyan staff, guest editors, series editors, or preliminary readers; 2) to provide clear and specific guidelines for the reading period, including defining conflicts of interest for all parties involved; and 3) to make the mechanics of our selection process readily available to the public. The CLMP Code of Ethics recognizes that different selection models produce different results, but that each model can be run ethically. Wesleyan has adopted the Code for its Best American Experimental Writing open reading period to reinforce our integrity and dedication as a publishing community and to ensure that our open reading periods contribute to a vibrant literary heritage.

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Focused on major turning points in Native American history, American Indians/American Presidents shows how Native Americans interpreted the power and prestige of the presidency and advanced their own agendas, from the age of George Washington to the administration of George W. Bush. The contributing authors draw on inaugural addresses, proclamations, Indian Agency records, private correspondence, and photographs in the museum’s collections to shed new light on the relationship between America’s presidents and Native American leaders.

The Best American Essays 2004 (The Best American …

Since a year after its founding, in 2005, is one of only two literary magazines in the United States to have had its work reprinted in Best American Short Stories, Best American Essays, Best American Poetry, Best American Science and Nature Writing, PEN / O. Henry Prize Stories, and The Pushcart Prize. It is based at the University of North Carolina Wilmington and comes out twice a year. Each issue contains new fiction, poetry, essays, and artwork. The magazine bridges the gap between science and culture, bringing together the literary and the scientific, the urban and the rural, the personal and the biological. has published original writing by winners of the Nobel Prize, Pulitzer Prize, and National Book Award, as well as new work by emerging authors.