Factual information on A Streetcar Named Desire:

Dang.A Streetcar Named Desire is actually realism of several different varieties.

A Streetcar Named Desire's works in libraries:

Beyond my choice to study drama for this part of the course, I chose this play specifically, A Streetcar Named Desire, for several reasons. In the previous year, my students studied works by Anton Chekhov. I selected those works at the same time that I selected this play; I am aware of Chekhov’s influence on Williams’ writing, and studying both authors will allow my students to create comparative analyses that will refine their existing skills. I also chose this play because of its immediate and lasting critical acclaim but its changing critical reception, particularly with regard to social and cultural values, with the passage of time. Finally, I picked this play because it provides students with the opportunity to create arguments from one of any number of literary lenses: feminism, race, Marxism, psychology, and queer theories are just a few viewpoints from which students might criticize this text. I would like to encourage my students to consider a hybrid of lenses and will present the cultural theorist’s lens as one such hybrid.

There is an actual streetcar named “Desire” that Blanche takes on her way to the Kowalskis’.

Isolation in A Streetcar Named Desire will be available on

Also included is a bonus disc, the rarely seen feature-length documentary, Tennessee Williams’ South. A Streetcar Named Desire is available for $26.99; all other individual titles are available for $19.97 each.
The best acting to be seen in American films of the 1950s and 1960s is in the various film versions of Williams’ plays. In this collection, you’ll see the brilliant and young Marlon Brando, Elizabeth Taylor, Vivien Leigh, Paul Newman, Richard Burton, Ava Gardner, Deborah Kerr, Geraldine Page and Warren Beatty.

"A Streetcar Named Desire." 1947.

Extras Include Insightful New Making-Of Documentaries for Each Film, Expert Commentaries, Rare Screen Tests, Film/Audio Outtakes, Spotlight on Marlon Brando, and More. Bonus materials in this collection include new making-of documentaries for each film, plus expert commentaries, never before seen outtakes, rare screen tests with Brando, Rip Torn and Geraldine Page, a radio broadcast with Brando from 1947 and vintage featurettes. Exclusive to the collection is a special bonus disc, Tennessee Williams’ South, a feature-length vintage documentary that includes remarkable interviews with Williams in and around New Orleans, plus great scenes from Williams’ plays especially filmed for this documentary, including rare footage of Jessica Tandy as Blanche (the role she created in A Streetcar Named Desire) and Maureen Stapleton as Amanda in The Glass Menagerie.

Scott Fitzgerald’s The Great Gatsby, and Tennessee William’s A Streetcar Named Desire.


One of his most successful plays is A Streetcar Named Desire.

“He [Williams] continued this study with Blanche Dubois of A Streetcar Named Desire (1947).” Stanley Kowalski in A Streetcar Named Desire is epitome of full-bodied male pulchritude and Williams’ most radiant symbol of viri...

Woman in A Streetcar Named Desire

There are many reasons I selected A Streetcar Named Desire for study. One obvious reason is that it is on a list of approved texts. More importantly, however, I chose drama for this portion of the course because I love teaching plays, and I find that my enthusiasm helps to engage my students. Additionally, many of my students have tested out of a bilingual education and ESL course of study (English is not their first language) or are bilingual; I find that once my students become familiar with the conventions of the genre, the sections that we loosely act out in class together as we discuss the author’s choices support added understanding in a way that might otherwise be patronizing to students who are nearing high-school graduation: role play is expected with drama. Even for students who have the strongest command of English, the multimodality of the study of drama correlates to the increasing multimodal literacy for which students are expected to demonstrate mastery.

A Streetcar Named Desire Essays | GradeSaver

Stella is basically asking
Blanche to not judge them based
on the "normal" people in the South.
The Marxist Criticism applies to A Streetcar Named Desire by Tennessee Williams because of the social tensions, the decline of the South, and the change in economic system.
Works cited:
Williams, Tennessee.

Streetcar Named Desire | Eyemouth High School

Fitting Gassner’s definition of a tragic character, Blanche DuBois in Tennessee William’s A Streetcar Named Desire caustically leads herself to her own downfall.

streetcar named desire and macbeth critical lens essay | …

As in many of Williams's plays, there is much use of symbolism and interesting characters in order to draw in and involve the audience. The plot of A Streetcar Named Desire alone does not captivate the audience. It is Williams's brilliant and intriguing characters that make the reader truly understand the play's meaning. He also presents a continuous flow of raw, realistic moods and events in the play which keeps the reader fascinated in the realistic fantasy Williams has created in A Streetca...